← back | #2 | 2020 Patricia Sandonis
Patricia Sandonis | A Partition of the Sensible | 19.01. - 15.03.2020 | acrylic, lacquer, cable ties, poster fragments, tape, stickers, fence, fence feet, metal pipes
Patricia Sandonis
A Partition of the Sensible
19.01. - 15.03.2020
#2 related to construction
A break with what until then was perceived as "the natural order" to reconfigure the sensitive frames of society, where common objects are defined, is what Jacques Rancière calls politics. This rupture must not only break with the order of legitimization of the distribution of the visible and the invisible, but with the logic of this order. A fence materializes some natural orders whose rupture has been claimed for some time: The creation of borders that denies the entering with the excuse of protection, non-transparency in the information and the definition of the place where a moment of change and speculation happens. A Partition of the sensible, also called The distribution of the common by Jacques Rancière, proposes a necessary aesthetic experience to provoke a break with the natural orders that the fence itself represents. This is claimed in this artistic installation by the deconstruction of a fence that, when taken from its function, passes from being an object to be a material. (Patricia Sandonis)
sandonis.com
A Partition of the Sensible
19.01. - 15.03.2020
#2 related to construction
A break with what until then was perceived as "the natural order" to reconfigure the sensitive frames of society, where common objects are defined, is what Jacques Rancière calls politics. This rupture must not only break with the order of legitimization of the distribution of the visible and the invisible, but with the logic of this order. A fence materializes some natural orders whose rupture has been claimed for some time: The creation of borders that denies the entering with the excuse of protection, non-transparency in the information and the definition of the place where a moment of change and speculation happens. A Partition of the sensible, also called The distribution of the common by Jacques Rancière, proposes a necessary aesthetic experience to provoke a break with the natural orders that the fence itself represents. This is claimed in this artistic installation by the deconstruction of a fence that, when taken from its function, passes from being an object to be a material. (Patricia Sandonis)
sandonis.com
